It is the hour before midnight, on the harsh, gray flat asphalt road along the banks of one of the Great Lakes . A truck races by like a shadow, the moon glowing behind a small house. The car swiftly goes on by, the dim light from the fogy night: --moon penetrating through the fog onto the tuck and house, where a man is standing by the road; -- music is heard coming from the car, Rock & Roll, as this stranger standing by the road, a man in a red plaid shirt, he stands erect, as if he was Paul Bunion; standing in-between the road and the house as a truck races by. The place was peopled by extras from "Hells Angels on Wheels" and every bad prison movie ever made. This woman kept bumping into me. She was medium height, slender, had long brown hair and three teeth. Her face looked a little like it had caught fire and some caring person had tried to put it out with an ax. Every time we collided I apologized nervously and she walked away. From behind she could have been Miss America. I swear.

To give you an idea of the depth of the collection, on display is a 1926 Rolls-Royce. Wilbert Grinsven, the curator tells me that there were only two years that Rolls-Royce manufactured cars in the United States. Those years were 1926 and 1927. This car is one of the few Rolls Royce's made here during that time. The auto manufacturer decided that it was not economically feasible to continue manufacturing autos in the US and closed its factory here in the states after only 2 years. Another example of a beautiful old car is a car used in the movie "Driving Miss Daisy". site Noticing at first that I was completely exhausted from staying in the protective fight or flight mode, I began to question whether or not I could handle this responsibility. I went through a journey of emotions from anger to shame. How could I be a babysitter when I had a business to run and a life of my own? What did I do to deserve this punishment? These were thoughts that took residence in my mind during the first months. Li-Li led me into a corridor leading to an office in the back of the building. There she introduced me to Mr. Nguyen van Duong who wasted no time in getting to his questions. Duong was an ugly man, small and fat at the same time. His hair was thin for a guy in his 40s, and he used a pomade to plaster it to this head. The skin on his face had an oily sheen to it. His lips were fat and reminded me of raw liver. I had just started on another beer when someone dropped a few coins in the juke box. The music was bad country. To my utter disgust the first song that played was that "I want to stick a boot up your butt" super-patriotic, ultra-jingoist thing by the guy in the truck xxl buy and sell commercials. The people around me began to sing along loudly. My experiences at the Shadow Bar occurred more than forty years ago, but I still wonder if I should have reported the incident when I returned to Engineers Hill. I resumed my mission and approached the Shadow Bar. Shadow Bar is an unusual name that had nothing to do with the building itself. The walls were bright, white stucco with the front of the one-story building evenly divided by a massive black door with a small glass window centered about five feet up from the sidewalk. The few windows in the building were covered with shades and draperies that allowed no glimpse of what was happening inside. The site offers a variety of Ford truck headlights such as chrome, smoked, euro, halo, projector, and custom black headlights that can be used directly in F 150. They have lamps customized according to the model so they are easier to install.